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J.S. Bach

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Siciliano

Shoichi

1:50	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		19	0	5	7	97%
Guitar		26	0	9	8	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		19	0	5	7	97%
Guitar		26	0	9	8	76%

Andante - BWV 1033 - J.S. Bach

Jonis-2pir

1:23	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	5	7	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	5	7	6	100%

15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.

Gertim

1:25	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.

SDG

1:19	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

Minuet in G Minor, from Anna Magdalena Notebook

edlemjulve

1:48	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	15	3	5	100%
	15	3	4	100%
Violonchelo	14	3	4	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	15	3	5	100%
	15	3	4	100%
Violonchelo	14	3	4	100%

Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）

doctorandrewtam

1:06	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	0	6	3	100%
Contrabass	21	0	6	3	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	6	3	100%
Contrabass	21	6	3	100%
Oboe	22	7	6	98%
	17	4	6	95%
Strings I	22	7	6	98%
Violin I, Oboe I	22	7	6	98%
Viola	20	6	4	95%
Violin II, Oboe II	17	4	6	95%
Bass	17	5	9	68%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

30. Aus meines Herzens Grunde, BWV 269.

SDG

1:20	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	1	5	100%
	10	0	1	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	1	5	100%
	10	1	5	100%
	14	0	5	100%
	14	0	5	100%
Soprano/Alto	10	1	5	100%
Tenor/Bass	14	0	5	100%
Contrabass	9	0	4	50%

J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu

Samuel Ricke

9:32	Est. Play Time
116	Measures
	1,385Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
Bassoon	22	0	9	5	100%
Organo e Continuo.	22	0	9	5	100%
Violone	22	0	9	5	100%
Flauto traverso I.	21	0	12	5	86%
Flauto traverso II.	22	0	11	5	86%
Alto.	19	0	11	7	67%

Toccata and Fugue in D Minor, BWV 565, By Johann Sebastian Bach

Samuel Ricke

1:20:18	Est. Play Time
143	Measures
	3,228Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	32	31	11	11	91%
	37	8	13	11	89%
	21	1	8	8	45%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	32	31	11	11	91%
	37	8	13	11	89%
	21	1	8	8	45%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
Continuo.	29	0	10	6	100%
Viola I.	18	0	7	7	98%
Viola II.	17	0	6	7	98%
Violino I.	23	0	9	6	98%
Violino II.	20	0	6	7	98%
Violone.	28	0	9	6	97%
Alto.	18	0	7	7	96%
Trombone I.	18	0	7	7	96%
Tenore.	17	0	6	7	95%
Trombone II.	17	0	6	7	95%
Basso.	23	0	9	6	90%
Trombone III.	23	0	9	6	89%
Cornetto.	16	0	6	6	65%
Soprano.	16	0	6	5	65%

Contrapunctus XVI

Shoichi

2:34	Est. Play Time
72	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

J.S. Bach: Mass in B Minor, BWV 232: II. Christe eleison

Samuel Ricke

4:51	Est. Play Time
85	Measures
	1,259Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	0	10	5	100%
Violino I.II.	27	0	10	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	10	5	100%
Violino I.II.	27	10	3	100%
Violone.	25	10	5	100%
Soprano II.	17	5	8	65%
Soprano I.	16	5	7	64%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%

232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.

SDG

1:06	Est. Play Time
20	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	7	100%
Tenor/Bass	22	5	7	100%
Contrabass	15	3	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	7	100%
Tenor/Bass	22	5	7	100%
Contrabass	15	3	4	50%